Lyric / cyan base / EPC edition #26
For at least a decade now I've been exploring and writing about my interest in the hybridity between the digital and the analogue, what is gained and what is lost in the transition between these two very specific ways of working, and seeing if it's possible to navigate a path that uses components of each to create new works that couldn't have been made in the pre digital era; but that still evoke some of the beauty and magic of the more traditional techniques from our shared history. Looking backward as a method for moving forward as it were.
The Cyanotype is one such process, discovered by Sir John Herschel in 1842, it's one of the first methods artists discovered for fixing a light based photographic image permanently to paper. The studios at Spike incorporate a traditional darkroom, and so it's entirely possible to experiment with a wide range of photographic techniques there.
Touch / Screen : Chuck Elliott and Matthew Small at the James Freeman Gallery
Look around you in a public place, and almost everyone will be somewhere else, lost in their own virtual otherwhere. This is the digital future: absent communication. Touch/Screen sets out to look at that gap we fall into between the physical and the virtual, using the work of two very different artists: Matthew Small, a painter of raw tactile portraits of urban youth, and Chuck Elliott, a digital artist who gives structure and colour to the digital ether. Somewhere in between is where we spend an increasing part of our lives – somewhere between touch and the screen.