Art Review / Coda at Close
Coda at Close, a solo show curated by Freeny Yianni, ex Lisson Gallery, throughout her sensational Georgian house and contemporary art gallery in Hatch Beauchamp, Somerset.
Coda at Close / catalogue
Coda at Close was published to mark the opening of my solo exhibition at Close House in March 2011. Curated by Freeny Yianni, ex Lisson Gallery, the exhibition featured around thirty works installed throughout the main reception rooms at Freeny’s stunning C18th home in Somerset. The 68 page catalogue features an interview with Matthew Collings and in situ photography by Stephen White. The catalogue was designed and beautifully produced by Herman Lelie.
Aesthetica / Coda at Close
A half page colour spot in Aesthetica, based around an idea about digital archaeology, by re using the previous month’s spot as the foundation for the approach…
The Chancy Element / In conversation with Matthew Collings
MC I can see the images are computer generated. I respond to the intricacy, rhythms, playfulness, but I’ve no idea what technical processes are involved. I see very beautiful visual relationships, and I imagine from their intensity that creating them involves a high degree of labour, as with any artistic process, and in fact, it’s basically drawing...?
CE Yes, every part of the image is hand drawn. But you could argue about whether what I do is really drawing or not. Both my brothers are artists. And we have a lively debate all the time. One of them tells me that drawing is always “pencil on paper.”
Chuck Elliott and Matthew Collings in conversation at Close House.
Coda at Close
Coda at Close, a solo show curated by Freeny Yianni, throughout her sensational Georgian house and contemporary art gallery in Hatch Beauchamp, Somerset.